THIRD ENCOUNTER OF ARTE-ACCIÓN
PERFORMANCEAR OR TO DIE
Chihuahua, Mexico, 2010.
In the north of Mexico, an ethnic group exists who resists to die in spite of the push of the West, knows itself them like raramuris, according to his cosmovision find a Straits felt between her dances and the order of the world, thus for them is from extreme importance of celebrating; since in his cotidianidad there are few reasons to do it, so that they enjoy to the maximum the moments that they have catalogued like exclusive for this aim; one of them is Easter, to celebrate for them is to do it of form active this way feel that in his hands this power to influence in daily, to extend by means of these manifestations plegaria so that everything continues working and with luck improves, so that the invitation is abre for all those that wish to celebrate with nosaotros, to mimso time participating with the positive intentions that each of us puts in the act of performancear, welcomes are of all parts, we celebrate the fact to follow in the action. The concept We consider that the performative actions are own of the human sort, that each group has found by means of these actions the possibility of approach with its surroundings, to obtain favors of, to render tribute to him by means of the ritual; thus possible proto performative actions now restored in the order of the artistic thing, of the aesthetic thing, talked about to something ampler, significant and of greater repercussion and importance for they vivian which it; to be in a manifestation of these magnitudes marked the participants, towards revivir and feeling that in them encuenta the change possibility. This league between action and so that, so that and for who, we think that they have come vanishing or tranformando themselves, the important thing is that now in the heat of century twenty-one to answer this seems to take sense, perhaps by some moementos is beneficial the performance to clear it of all artistic embalsamiento, to undress it, and to denudar all those to us that we realise performance, with the intention to know that I motivate to us in first instance to realise them, and perhaps some we will find that they were not the festivales, neither the congresses, nor the title of performance artist, perhaps like our predecessors sentiamos us with the power to influence in anybody, to change to something, that is to say that our representations remained in the order of the aesthetic judgment, product of an ecstasy by the truth than implies to be art. In the culture raramuri, is a phrase that we allowed ourselves to change, she says “To dance or To die”, have changed we it by “Performancear or to die”, first shines I finish “performancear”, same who we attributed like totally Mexican, is the form in which we talked about the action to make performance, art action; this way we turned into verb to the performance, the resignificamos, being born the verb to performancear, (verbo= action) this way we did not move away but we condensed the positions and differences between the performance and the action, breadfruit occurs a species of interactive mixture, between which refuiere to the performance and the action. The very same ritualista action and journeying in that gallant cotidianidad, influence in the form and contents of which we make performance, permeados by a present past/and a future present/, noticeable and vicerales resistances, therefore performanceamos we and do not make performance, we are performanceros before being performance artists. This way we think that the phrase “Performancear or to die” is not only a slogan, but the invitation to make an act autoreflexivo and to go towards what I take to us for the first time to be within the world of the performance, that there is of behind all this from the personal point of view, visceral and volitive, that motivates to us to continue conducting battle.
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